Monochrome Stories Judging Panel

  • Mark Jenkin

    Mark Jenkin

    FILMMAKER & DIRECTOR

    Mark Jenkin is a filmmaker based in West Cornwall. He works exclusively with small gauge film, acting as cinematographer and editor, and often hand-processing his own footage.

    He won a BAFTA for his feature film BAIT which premiered at Berlinale 2019 and was released theatrically by the BFI in the UK. It went on to become a significant breakout arthouse hit achieving critical and box office success.

    “Bait is a genuine modern masterpiece, which establishes Jenkin as one of the most arresting and intriguing British film-makers of his generation” Mark Kermode

    Other recent works include the mid-length BRONCO’S HOUSE and British Council promoted experimental short films DEAR MARIANNE, THE ESSENTIAL CORNISHMAN, DAVID BOWIE IS DEAD, VERTICAL SHAPES IN A HORIZONTAL LANDSCAPE, HARD, CRACKED THE WIND, and 29 HOUR LONG BIRTHDAY which have screened at BFI London, Oberhausen, Encounters, Aesthetica, Edinburgh International, New York Film Festivals.

    His latest Film 4 backed feature ENYS MEN which premiered in Directors’ Fortnight, Cannes 2022, is a supernatural horror film set on an island off the Cornish coast and is due to be released by the BFI in the UK on 13th January 2023.

    Agent: Matthew Bates / Sayle Screen

    Commercial Rep: Chris Baker / Bullion Productions

  • Rhea Storr

    NOT NOWHERE

    Rhea Storr is an artist filmmaker who explores the representation of Black and mixed-race cultures. Masquerade as a site of protest or subversion is an ongoing theme in her work.

    She is currently undertaking a PhD entitled 'Towards a Black British Aesthetic: How is Black Radical Imagination realised through 16mm filmmaking practices?'

    She is a member of not nowhere an artists’ film co-operative, London, that has a particular focus on analogue film. Rhea Storr is resident at Somerset House and winner of the Aesthetica Art Prize 2020.

  • James Holcombe

    EREHWON / ORWO UK

    James Holcombe makes films and performances which collide his knowledge of celluloid and it's coming into being with a healthy disregard for any means by which it does so.

    Most recently he has found this a useful prism through which to view English public executions, as well as the development and failure of American sound on film technology.

    James runs the erehwon lab in Frome in Somerset, and imports ORWO film from Germany to the UK. @erehwon_film / @orwo_uk